She Who Creates the Tides

Interesting how things evolve - or how art evolves.  My last post featured work on a wood panel and a small canvas using crackle and self-levelling gel.

It proved to be a good break from my "Ladies of a Certain Era".  Over the past month or so I've produced two paintings which combine faces and different mediums.

A visionary artist, Shiloh Sophia has been an inspiration for me for over a year.  Her work focuses on  women and spirituality, but I am being simplistic here as her work is so much more.  To learn about her, please visit http://www.shilohsophiastudios.com/.

I pushed myself into the unknown to put colors onto a face, to go to Madonna/Buddha influenced features.  Once again, Shiloh helped me to establish the look below.  The Byzantine era, icons, statues, and saints can be embodied in one face.  Interesting too that she emerged so strong.  Was this my intent?  I really had none beyond using color.  But she evolved as the background did.  Towards the end of the process, she took hold and commanded a certain integrity.

So from this place, came "She Who Creates the Tides".

I particularly enjoyed painting the fish who fashion her collar.  Here I used a bead gel - a lovely gloppy white gel with tiny bits in it.

I also applied the gel to the right side of the painting to give a sand quality.

Which brings me to the poem,

The frond I lichen

to the currents

of the sea,

to all things green and moist

I wear them proudly

as part of the "I"

of the fish who adorn me.

Her hair evolved starting with waves on the left to lily pads on the top and small fronds on the right.  I applied thick lines of gold paint to accent the pads.

The colors in her face built up quite slowly.  I started with a yellowish tone and added layers of white, ivory, orange and finally, green.  This was a true test of my "faith".  My "faith" that she would come through all the changes (ah, a life test) and be content with the final result.

The left of the painting was a challenge, what to put there.  I always start with the face and a vague idea of the rest.  I created the water by applying a heavy gel, then running a comb through it.  This area also has layers of paint to get the right color.  Next came the huge green frond and round circles.

Finally, her title, "She Who Creates the Tides".  

Thank you for coming with me through this painting (on many levels and layers).

"AL DENTI'S DEN OF LINGUINI"

This is a series of three paintings about two 1920's flappers out on the town for an evening of pasta and drinks.  Each painting depicts a portion of their unfortunate relationship with this establishment.   From their arrival to their plight in the kitchen,  these swanky sisters (friends) find many things are "off" at "Al Denti's Den of Linguini".   Each story is written using slang from the 1920's.  

This is the first painting, "Oh, What a Joint".   Things seem a bit odd at "Al Denti's".

'OH, WHAT A JOINT!"

"Al Denti's Den of Linguini" is the best "juice joint".  All the "swanks" hangout here.  We're up for some Italian food and "skee".  Don't we look the "cat's whiskers"?  Our "fellas", Bill and Tab are on their way.  Lookin' around, some things don't look so good.  A frog on the ceiling, chairs with no legs, linguini everywhere"? What kind of a "dump" is this anyway?

1920's Slang

"juice joint" -a speakeasy

"swanks" - elegant people

"skee" - Scotch whisky

"cat's whiskers" - great

"fellas" - guys

"dump" - roadhouse"

  

(Words and phrases are gleaned from "Jazz Age Slang").

Information re: painting 

Painting is soon to be on my website.  Original and prints will be available for sale.

It may also be available as a blank note card with the story printed on the back.

Acrylic and artist pens on gallery wrapped canvas

(black sides)

24"h x 12w" 

STAY TUNED FOR #2 of "Al Denti's Den of Linguini".